| |
|
| |
|
| |
Ellen Pau 鲍蔼伦 pinyin Bao Ailun
|
| |
|
|
1961
|
Ellen Pau 鲍蔼伦 was born in a famiky of Doctors in Hong Kong.
|
| |
|
|
|
She studied at the Hong Kong Polytechnic University.
|
|
1982
|
Graduated in diagnostic radiography, she works at the Queen Mary Hospital.
|
|
|
|
| |
- Artist - Key figure in the Hong Kong art scene - Curator
|
| |
|
|
1984
|
She acquired a camcorder and joined a film actors' association, run by artist May Fung,
|
| |
and began videos.
|
| |
She made her first super-8 film : Glove - a surreal tale of desire.
|
| |
|
|
1986
|
With Wong Chi-Fai - May Fung - Comyn Mo, she co-founded : Videotage, Hong Kong
|
|
|
video artists collective, dedicated to the promotion of Arts and New Media.
|
| |
|
|
1990
|
With Chan Pik Yu and Jesse Dai, she created the Vidéo - Installation: Alice Doesn-t Live
|
| |
Here Anymore.
|
| |
|
|
1996
|
She founded Microwave Intenational New Media Arts Festival, an annual event. |
| |
( exhibitions - conferences - séminars - workshops ) |
| |
|
|
2001
|
She participated in 49th Venice Biennial - Hong Kong¨Pavilion Venice Italy |
| |
with a Video - installation that captures blurred images of moving vehicles
|
| |
on a Hong Kong highway : Recycling Cinema.
|
| |
This video was presented in 2017 at Guggenheim Museum, in New York.
|
| |
|
|
2008
|
She graduated with a Master ( Visual Culture ) from Hong Kong University. |
| |
She curated Digit@logue exhibition at the Hong Kong Art Museum Hong Kong; |
| |
- a diialogue between technology, culture and Art. |
| |
|
|
2013
|
She was appointed by the Hong Kong Arts Development Council (HKADC), as
|
| |
a representatjve of the Art Form Group in Film and Media Arts.
|
|
|
|
|
2014
|
She was appointed to the interim acquistion committee of M+, in West Kowloon
|
| |
Cultural District. |
| |
|
| |
She lives and works in Hong Kong China. |
| |
|
|
|
Daniele Sicard |
| |
|
| |
| |
|
| |
|
Collections séElection
|
|
Australie
|
|
Griffith University
|
Brisbane
|
|
China
|
|
Sunpride Foundation
|
Hong Kong |
| Hong Kong Art Museum |
Hong Kong |
| Heritage Museum |
Hong Kong |
| M+ Museum |
Hong Kong |
|
France
|
|
Centre Pompidou
|
Paris |
| |
|
|
| |
•
|
| |
|
| |
Vidéography selection
|
| |
|
| |
Ellen Pau transforms politic news : |
|
1989
|
Blue Format V8 reflects the trauma of Tiannamen repression
|
|
1992
|
Song of the Goddess a tribute to the love story in life and on screen of Cantonese
|
| |
opera singers : Yam kim-Fai and PakSuet-Sin
|
| |
|
|
1993
|
Bik Lai Chu ( Promise ) set of Video Installations developed over 10 years
|
| |
A metaphor for the Chinese government's promise to continue its
|
| |
political commitment to Hong Kong after the handover
|
| |
|
| |
Ellen Pau explores the latest technologies :
|
| |
QR code - Impression 3D - Réalité Virtuelle - Réalité augmentée
|
| |
Reload Hong Kong (installation) |
|
2017
|
Distribuef Firework DIY Hologram
|
| |
|
|
•
|
| |
|
| |
exhibitions selection |
| |
|
|
1990
|
Hong Kong International Film Festival Hong Kong
|
|
1992
|
8th International Film Festival for Women Spain
|
|
1993
|
Hong Kong International Film Festival Hong Kong
|
|
1996
|
Container 96 - Copenhagen Cultural Capital Foundation Danemark
|
|
1996
|
Asia Pacific Triennial of Contemporary Art Lisbon Portugal
|
|
1997
|
Hong Kong International Film Festival Hong Kong
|
|
1997
|
Johannesburg Biennial Johannesburg South Africa
|
|
2000
|
Hong Kong International Film Festival Hong Kong
|
|
2001
|
49th Venice Biennial Venice Italy |
|
2002
|
Gwangju Biennial Gwangju Korea
|
|
2003
|
Liverpool Biennial Liverpool United Kingdom
|
|
2004
|
Sydney International Film Festival Sydney Australia
|
|
2015
|
Ellen Pau, Retrospective Screening Video bureau Guangzhou China
|
|
2018
|
09.12 2018 17.02 2019 What about Holme Affairs - A retrospective Para Site Hong Kong |
|
2019
|
14.11 2019 18.01 2020 The Great Movment galerie Edouard Malingue Hong Kong |
| |
|
|
•
|
| |
|
|
|
|
|
Ellen Pau 鲍蔼伦 - Video Circle - Video Installation Exhibit - 1996
|
| |
|
•
|
